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In three parts: 1) a workshop on scenes from As You Like It run by actress Fiona Shaw, exploring the language of the play; 2) an assessment of the 1994 production of the play staged by Cheek by Jowl; 3) a...
Explores the problematic relationship between event, text and performance in Shakespeare’s Henry V. Also focuses on the way war, and images of war, are presented on stage and on film. In five sections: 1)...
A specially recorded performance of Henry V. No further details known (12/2008).
A specially recorded performance of Othello. Tape 1: Acts 1 to II iii. Tape 2: Act III Scene i to the end. No details of cast known (1/2009).
A specially recorded performance of As You Like It as part of the OU A210 Approaching Shakespeare course. No further details known (12/2008).
A programme for the Open University Culture and Belief in Europe 1450-1600 course. Actors Jeremy Irons and Michael Pennington and director David Giles show how, through rehearsals, the complex role of...
Programme in the Open University Culture and Belief in Europe 1450-1600 course. Using extracts from two different productions actors Jeremy Irons and Michael Cronin, and director David Giles, discuss how the...
Eight illustrated lectures by distinguished scholars who consider the background to Shakespeare’s plays: Shakespeare’s theatre; Shakespeare as listener and reader, Shakespeare’s text; Shakespeare’s...
Professor Robert Weimann of the Kunst Akademie, East Berlin, surveys the reception of Shakespeare’s plays in continental Europe over the last three centuries. As an example he looks at Hamlet.
Continues the theme of the first ‘Hamlet’ workshop by further examining the relationship between the soliloquies and the dynamic political moments of the play. Director John Russell Brown works on Act II...
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