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  1. Making Masterpieces: Neil Macgregor at the National Gallery (1997 Video)

    Subject
    Art
    Distribution
    Sale, DVD (Region 2 PAL, 180 minutes), £1,170.00

    Six half-hour programmes in which National Gallery director Neil MacGregor explores the relationship between painters and their materials: 1) Pictures as Things: Change and Decay: how paintings were made and...

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  2. Making and Meaning: Rubens’s Landscapes (1996 Video)

    Subject
    Art
    Distribution
    Sale, Videocassette. VHS. col. 20 min., 1999 sale £10.00 (inclusive)

    Rubens painted his landscapes largely for his own pleasure, and many of them are painted on panels made up of several individual pieces of wood. The programme includes a reconstruction of the preparation of...

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  3. Making and Meaning: The Wilton Diptych (1993 Video)

    Director
    Dilliam Gordon
    Subject
    Art
    Distribution
    Sale, Videocassette. VHS. col. 25 min., 1999 sale £10.00 (inclusive)

    The Wilton Diptych, a rare surviving example of English panel painting from the later Middle Ages, is one of the most exquisite yet enigmatic paintings ever made, and its origin and purpose are shrouded in...

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  4. Painting the World: Neil Macgregor at the National Gallery (199 Video)

    Subject
    Art
    Distribution
    Sale, Videocassette. VHS. col. 120 min., 1999 sale £15.00 (inclusive)

    Four half-hour programmes in which National Gallery director Neil MacGregor takes a particular painting and through it explores the ideas and beliefs shared by Europeans at the period in which it was made....

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  5. Art in the Making: Italian Painting Before 1400 (1989 Video)

    Producer
    Neil Aberdeen; Joan Lane; Carol McFadyen
    Subject
    Art
    Distribution
    Sale, Videocassette. VHS. col. 20 min., 1999 sale: £25.00 (inclusive) set of 3 ‘Art in the Making’ titles

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  6. Panel Painting (1986 Video)

    Producer
    Charles Cooper
    Subject
    Art
    Distribution
    OUT OF DISTRIBUTION, Videocassette. Standard formats. col. 24 min.

    Looks at certain 15th-century panel paintings in the National Gallery, London, identifying them as three-dimensional objects rather than two-dimensional images, and examining how and why they were made. In...

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