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Play:-- All plays -- All’s Well That Ends Well Antony and Cleopatra As You Like It Comedy of Errors, The Coriolanus Cymbeline Hamlet Henry IV Part 1 Henry IV Part 2 Henry V Henry VI part 1 Henry VI part 2 Henry VI part 3 Henry VIII Julius Caesar King John King Lear Love’s Labour’s Lost Macbeth Measure for Measure Merchant of Venice, The Merry Wives of Windsor, The Midsummer Night’s Dream, A Much Ado About Nothing Othello Pericles, Prince of Tyre Richard II Richard III Romeo and Juliet Taming of the Shrew, The Tempest, The Timon of Athens Titus Andronicus Troilus and Cressida Twelfth Night Two Gentlemen of Verona, The Two Noble Kinsmen, The Winter’s Tale, The
The workshop examines one of the many short, crowded scenes of the play, in which Antony takes his leave of Cleopatra before going into battle with Caesar. Director John Russell-Brown works with James...
Six scenes from Le Cid, re-staged in the Birmingham University Television Studio, from the Cercle Française production at the Old Rep Theatre, Birmingham. Corneille’s attitudes to young love, parental...
A personal view of the play presented by General Sir John Hackett, analysing Coriolanus’ soldierly qualities and failings. The series aims to develop a greater understanding and appreciation of the plays...
Medieval illuminations presented to illustrate attitudes to the fool in medieval Britain and his role in society. The discussion includes the character’s appearance in morality plays and in Shakespeare.
A workshop investigating Hamlet’s character. Director John Russell Brown and actor David Yelland work through the various interpretations of the soliloquiess, and examines how they are related to other...
Examines how the comic exchanges between Falstaff and Prince Hal illuminate the serious historical and political themes of the play. Director John Russell Brown is shown working through some famous scenes...
Sonnet 128 read in costume by Roger Rees, followed by a discussion of the sonnet by D. M. Thomas. The sonnet is then performed again in light of the commentary.
Studio recording of the opera by George Frederick Handel opera performed by the English National Opera and conducted by Charles MacKerras.
The first of two programmes on King Lear supporting the A306 Shakespeare course. Considers how an actor can convey Lear’s madness and at the same time be aware of the ‘reason in madness’ so central to...
Continuing from KING LEAR: WORKSHOP 1, this programme looks in great detail at Act IV vi - the storm scene - and at Lear’s re-encounter with the blind Gloucester. Director John Russell-Brown and Julian...
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