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As he plays he lead in Hamlet directed by Michael Kahn at the Shakespeare Theater of DC, Michael Urie reflects on the importance of trusting the text when playing Shakespeare.
A stalwart of the American Shakespeare Center, Benjamin Curns describes the perspective he’s developed by performing the Bard’s during his 16 years at the Center. This perspective is brought to bear in...
Coffey describes how she has approached playing Richard II and discusses Act 2, Scene 2
Wisan describes how she has approached playing Kate in Taming of the Shrew and discusses Act 5, Scene 2.
Dean, this year’s winner of the English Speaking Union’s Shakespeare competition, talks about playing villains and looks at Titus Andronicus Act 5, Scene 1.
Szadowski discusses her playing of both Juliet and Yelena in the Bedlam production of ‘Uncle Romeo Vanya Juliet’ by Kimberley Pau, a mashup of Shakespeare’s ‘Romeo and Juliet’ and Anton Chekhov’s...
Dooley discusses professional acting in general as also focuses on the first act of The Tempest.
Upon the death of his father, the King of Denmark, Hamlet returns home to a surprise discovery. The late King’s brother, Claudius has married the Queen, Hamlet’s mother. When the ghost of the King...
Podcast series in which Dr Neema Parvini, author of Shakespeare’s History Plays: Rethinking Historicism and Shakespeare and Contemporary Theory: New Historicism and Cultural Materialism, interviews...
In this modern retelling of Shakespeare’s Othello, Oz (Othello) is great friends with Ivan (Iago) and they are both music producers. When a lucrative recording contract prompts Oz to sever ties with...
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