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Quentin Reynolds’ second film despatch from London to America shows Christmas 1940, the year of the Blitz. By this time Ian Dalrymple was head of the GPO Film Unit which had been renamed the Crown Film...
'The film was a collaboration by the whole unit. Everything else stopped for it’ Harry Watt has said. ‘I think I wrote the script. At least I wrote it down, but let us say it was a communal script. It...
Dover, 15th September 1940: for three months the town has been a frontier target for the Reich but the spirit of the people is undaunted. ‘There was only one hotel left in existence in Dover’, Harry Watt...
'Year in, year out, all round our coasts, the beam of the lightship shines through the night and its siren pierces the fog banks. Light and fog signals reach vessels of all nations equally, and for three...
In response to a request for a film that showed the importance of balloon barrage, Harry Watt made this drama-documentary about the training of a balloon squadron and its first assignment to the Forth...
Made for the Ministry of Information to show how accurately the figures for destroyed enemy aircraft were compiled and checked. The film has no technical credits apart from that of the GPO Film Unit itself....
Sir Charles Bressey talks about the Bressey Report and urges its implementation. The film also illustrates the growth of london since the late 19th century, the work of the ministry of Transport Research...
This earliest of notable British wartime documentaries was a collaborative effort in the direction of which both Harry Watt and Humphrey Jennings played parts. The editing and the use of sound represents the...
A documentary showing life on Eriskay, Guernsey and Inner Farne islands linked to Britain by means of the Post Office. Music by Darius Milhaud.
An early colour animation film by Norman McLaren. By using a ‘squiggle’ which is under constant metamorphasis into three characters, McLaren creates a tale of love as a means of promoting the then...
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