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NationalRural was established in 2004 as a Knowledge Exchange - a service provided by universities and colleges for rural businesses and organisations. The project was set up with funding from HEFCE as one...
[caption id="attachment_324" align="alignleft" width="300" caption="David Hare in conversation. Image courtesy Museo Reina Sofia "][/caption] David Hare’s Page Eight, which premiered at the Edinburgh...
In November 1982 I was working as Assistant TV Acquisitions Officer in the National Film Archive at the British Film Institute and freelancing for Time Out and a range of magazines and newspapers about...
The Kinonedelja - Online Edition in the Austrian Film Museum brings together the earliest work of Russian film director and theoretician Dziga Vertov. We provide a guide to the Museum’s Vertov collection,...
With the recent unprecedented multi-platform release (5th July 2013) of Ben Wheatley’s A Field in England, which has been variously described as “a psychedelic Western” (Sound on Sight), “a...
The Women’s Liberation Movement Oral History Project aims to provide a permanent archive on the pioneering work undertaken by feminists from the 1960s to the 1980s. Dr Margaretta Jolly, Reader in Cultural...
The British Board of Film Classification celebrates its centenary this year. But what can the organisation learn from the past, and how does history inform its current business and commitment to education...
A new digital resource from BUFVC examines the entire output of the global television news agency UPITN for one month. Linda Kaye, BUFVC Research Executive, explores the significance of the agency in our...
Branding and Sponsorship within Britain’s Premier Horror Festival A Guest Blog by Simon Hobbs, PhD Research Student at the University of Portsmouth This year’s Film4 FrightFest marked my first...
Learning on Screen