On the Spot

Summary
1938 BBC studio production of Edgar Wallace’s crime thriller On the Spot. In the original theatre production Charles Laughton played Tony Perelli with Arthur Gomez, who took the role in this television production, as his understudy. Arthur Gomez also played the part on tour and in a 1935 radio broadcast. Gillian Lind also took the same role here as she did in the theatre production.
Theatre play
On the Spot by Edgar Wallace (1875-1932) [more information]
Date of transmission
Saturday 2 July 1938
Time
9.00-10.30pm (90 mins)
Channel
BBC Television
Production company
BBC

Credits

Producer
Royston Morley
Playwright
Edgar Wallace (1875-1932)
Cast
Thornton Bassett
J. Adrian Byrne
Arthur GomezTony Perelli
Harry Hutchinson
Alan Keith
Queenie Leonard
Gillian LindMinn Lee
Alex McCrindle
Richard Newton
Percy Parsons
Peggy Stacey
Edmund Willard

Additional details

Origination
Live from studio
Vision original
Monochrome
Later transmissions
Presented again at 3.00pm on Friday 8 July 1938, at 9.00pm on Saturday 9 April 1939 and at 3.00pm on 5 May 1939.
Notes
'Royston Morley has made ambitious arrangements. For the first time in television drama two studio cameras will be taken outside the building, their cables trailing down two flights of stairs, to televise exterior scenes’ ('The Scanner’, ‘Enter the Penumbrascope!', Radio Times, 24 June 1938, p. 15).
Extant status
No archival copy is known to exist.
Play tags
America, as theme or setting; crime; thriller

Print sources

Title
Radio Times, 24 June 1938 (Magazine)
Linking notes
listing, p. 16 and article p. 15
Title
The Sunday Broadcast Programmes: Need for Improvement (Newspaper review)
Author/creator
Anonymous (Reviewer)
Reference
The Times, 4 July 1938, p. 4
Notes
'Edgar Wallace’s thriller, On the Spot, was seen in a full-length version, when the terrace at Alexandra Palace was effectively used to show a street killing by Chinese gangsters. The whole play was admirably acted [...] [it] was all so consistent that it gave the unseen audience the sensation of having looked into a gangster hell no less real than that into which Virgil inducted Dante.'

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