Art of Claude Lorrain, The

Synopsis: In this film the art of Claude Lorrain is examined with a commentary by Anthony Blunt. Illustrating his points with a wide range of Claude’s works, Blunt talks about the composition of the painter’s classical landscapes not as the direct rendering of a particular place at a particular time but as an ideal distillation of the landscape around Rome, where Claude lived for most of his life. He shows how Claude boldly accepted the flatness of the scenery, painting unbroken plains receding from the eye, in which the increasing distance is skilfully represented through subtle changes in scale, colour, tone and focus. In a comparison between Claude and Poussin, Blunt demonstrates that Claude’s concern with patterns of light cast through trees, or on to ruined buildings, or on to the sea, and his inclusion of the sun itself within the painting differs from the weighty sense of growth and structure in Poussin’s work. Concentrating on a particular picture ‘Aeneas’ Arrival in Rome’, Blunt surveys Claude’s sketches for the painting and the steps he took towards its final composition, and looks at some intriguing amendments in sketches made after the picture was completed.
Language: English
Country: Great Britain
Year of release: 1970
Subjects: Art
Keywords: art history; landscapes; Lorrain, Claude (1600-1682); paintings - landscape paintings; art - French

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