Jubilee

Synopsis: Independent feature film. A visceral, punk fantasy made in the year of Queen Elizabeth II’s silver jubilee, and solo directorial debut for Derek Jarman. Anxious to gain knowledge, Queen Elizabeth I has her court astrologer (John Dee) conjure up the angel Ariel, who promises to reveal to her ‘the shadow of her time’ and transports the Queen, Dee, and her lady-in-waiting to the England of the future where law and order has been abolished. The spirit, and sometimes the language, of Shakespeare, play their part. John Dee’s monologue in the film’s first scene is a pastiche of Shakespearean verse ‘I cast for Ariel, pearl of fire, my only star. God’s moonbeam send forth my flower.
Language: English
Country: Great Britain
Medium: Film
Technical information: Colour / Sound
Year of release: 1978
Duration: 104 mins; 9,360 feet

Director

Derek Jarman

Producer

Howard Malin; James Whaley

Cinematographer

Peter Middleton

Screenplay

Christopher Hobbs; Derek Jarman; James Whaley

Music

Brian Eno

Cast

Notes: The digitally restored (sound and picture) DVD release includes JORDAN’S DANCE (1977), Jarman’s rare short film, shot on super 8, which he re-edited for use in JUBILEE. JUBILEE: A TIME LESS GOLDEN, a 38 min documentary on Jarman and JUBILEE made by Spencer Leigh exclusively for the DVD. Ephemera from Derek Jarman’s personal collection, including costume sketches and continuity stills. Selections from Jarman’s personally annotated screenplay with pasted-in found objects and his pre-production Polaroids and sketches as well as the script. Liner notes by Jarman biographer Tony Peake. Original theatrical trailer.
Reviews: Meek, Scott. Monthly Film Bulletin, April 1978, vol. 45, no. 531, p66. Meek writes ‘No synopsis could adequately convey the wealth of imaginative incident which fills JUBILEE with a textual and thematic richness...by setting the film in the future tense, where the characters inhabit a dark libo between aggressive alienation and anomie, the film successfully reveals questions about the present and goes even further by setting these problems in a framework constructed from the perspective of the past" .

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