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In this episode of the radio series that traces the history of the Oscars, presenter Paul Gambaccini tells the story behind John Madden’s award-winning film SHAKESPEARE IN LOVE, the last comedy to win an...
First of a twenty-part radio series in which the director of the British Museum, Neil MacGregor, presents an object-based history of the time of Shakespeare to explore how Elizabethan and Jacobean audiences...
Second of a twenty-part radio series in which the director of the British Museum, Neil MacGregor, presents an object-based history of the time of Shakespeare to explore how Elizabethan and Jacobean audiences...
Third of a twenty-part radio series in which the director of the British Museum, Neil MacGregor, presents an object-based history of the time of Shakespeare to explore how Elizabethan and Jacobean audiences...
Fourth of a twenty-part radio series in which the director of the British Museum, Neil MacGregor, presents an object-based history of the time of Shakespeare to explore how Elizabethan and Jacobean audiences...
Fifth of a twenty-part radio series in which the director of the British Museum, Neil MacGregor, presents an object-based history of the time of Shakespeare to explore how Elizabethan and Jacobean audiences...
Sixth of a twenty-part radio series in which the director of the British Museum, Neil MacGregor, presents an object-based history of the time of Shakespeare to explore how Elizabethan and Jacobean audiences...
Seventh of a twenty-part radio series in which the director of the British Museum, Neil MacGregor, presents an object-based history of the time of Shakespeare to explore how Elizabethan and Jacobean...
Eight of a twenty-part radio series in which the director of the British Museum, Neil MacGregor, presents an object-based history of the time of Shakespeare to explore how Elizabethan and Jacobean audiences...
Ninth of a twenty-part radio series in which the director of the British Museum, Neil MacGregor, presents an object-based history of the time of Shakespeare to explore how Elizabethan and Jacobean audiences...
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