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Behind the Scenes at the BBFC: Film Classification from the Silver Screen to the Digital Age Edited by Edward Lamberti (foreword by Mark Kermode) (BFI/Palgrave Macmillan, 23 Nov 2012), 256 pages ISBN:...
Sixty years ago Hollywood had its first serious engagement with exhibiting feature films in three dimensions. Dr Simon Brown looks at one of the first films released on the then new film format, Inferno,...
In November 1982 I was working as Assistant TV Acquisitions Officer in the National Film Archive at the British Film Institute and freelancing for Time Out and a range of magazines and newspapers about...
Studying Experimental Film and Video William Fowler, Curator of Artists’ Moving Image for the BFI, looks at some of the wide variety of resources available to those studying the moving image work of...
This is a roundup of new print publications available from this December. For details on how to order these titles, please click on the book covers or the links to the respective publishers. ...
The British Board of Film Classification celebrates its centenary this year. But what can the organisation learn from the past, and how does history inform its current business and commitment to education...
Although the idea of film funding wasn't directly discussed in the Annan Report which led to the creation of Channel 4, it was a passion of the Channel’s first Chief Executive, Jeremy Isaacs. In Europe...
This is an ‘interim report’ by Dr Sheldon Hall, Sheffield Hallam University, on his long-term project on the history of the showing of feature films on British television, covering virtually the entire...