BUFVC Search
Current Search
Previous Searches
Open University programme supporting the A100 Arts Foundation course. Arnold Kettle talks about Hamlet in its Renaissance setting. Professor Kettle argues that an historical approach, far from reducing the...
Programme in the Open University Culture and Belief in Europe 1450-1600 course. Using extracts from two different productions actors Jeremy Irons and Michael Cronin, and director David Giles, discuss how the...
A workshop investigating Hamlet’s character. Director John Russell Brown and actor David Yelland work through the various interpretations of the soliloquiess, and examines how they are related to other...
Open University Arts Review 12. Jenny Lecoat talks to Cicely Palser Havely, Senior Lecturer in Literature at the Open University and Team Chair of the OU’s A361 Shakespeare course. They discuss the...
Music in Twelfth Night presented by Robert Philip and F.W. Sternfield. Broadcast in support of the OU A307 Drama course.
A programme for the Open University Culture and Belief in Europe 1450-1600 course. Actors Jeremy Irons and Michael Pennington and director David Giles show how, through rehearsals, the complex role of...
Open University programme made to support the A101 Arts Foundation course. The programme shows how Weber’s ‘Der Freischutz’ and ‘Oberon’ influenced Mendelssohn when he came to write the Overture...
A programme in the Open University Renaissance and Reformation Course. Cicely Havely looks at scenes in King Lear to which the Fool’s role is central and tries to analyse his part in the play’s action...
A performance of King Lear, which was produced for the Open University in 1998, with Frances Barber, David Morrissey and Philip Madoc.
The personal father-son relationship between Prince Hal and Henry is examined to see how it illuminates the larger historical issues of the play. Prince Hal is played by Michael Thomas and Henry by Peter...
Learning on Screen