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Animation short. A life drawing class is caught in the act of capturing the male nude on paper. Words spoken are from Shakespeare.
Oliver Ford Davies introduces his practical guide to performing Shakespeare, drawing on a lifetime’s experience. Chaired by Al Senter.
The first in a series of chats between actor Austin Tichenor (Reduced Shakespeare Company) and artist Gary Andrews. While they discuss Twelfth Night and their favourite screen adaptations of the play,...
The fact that father and son share the same name in Hamlet is used to investigate the play’s nostalgia, drawing on biographical criticism and the religious and political history of early modern England.
The second in a series of chats between actor Austin Tichenor (Reduced Shakespeare Company) and artist Gary Andrews. While they discuss the plot, themes and productions of A Midsummer Night’s Dream,...
Asking ‘what happens in As You Like It’, this lecture considers the play’s dramatic structure and its ambiguous use of pastoral, drawing on performance history, genre theory, and eco-critical approaches.
A book collection of 160 songs - ballads and narratives, drinking songs, love songs and rounds - that appear in, or are alluded to in Shakespeare’s plays. Drawing heavily on the resources of the Folger...
Lecture 12 in the Approaching Shakespeare series asks how seriously we can take the farcical exploits of Comedy of Errors, drawing out the play’s serious concerns with identity and selfhood.
Animation. The film shows a different drawing for each word of Hamlet’s ‘To Be Or Not To Be’ speech. Images are not connected to the speech or its meaning. Narrated by Maurice Evans,
A history of swordplay tracing the evolution of civilian swords and fighting techniques from the street fights of the 16th century to the swordplay of the 18th century fencing schools, drawing on texts and...
Learning on Screen