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Comedy romance feature film. James Flanagan, a 53 year-old New York cab driver, is an aspiring Shakespearean actor. He is troubled by thoughts of his father, who died of alcohol abuse when James was a...
Cicely Palser Havely talks to Glenda Jackson, who describes her approach to playing Cleopatra in Peter Brook’s 1979 Royal Shakespeare Company production of Antony and Cleopatra. Produced for the A361...
The workshop examines one of the many short, crowded scenes of the play, in which Antony takes his leave of Cleopatra before going into battle with Caesar. Director John Russell-Brown works with James...
A workshop investigating Hamlet’s character. Director John Russell Brown and actor David Yelland work through the various interpretations of the soliloquiess, and examines how they are related to other...
Examines how the comic exchanges between Falstaff and Prince Hal illuminate the serious historical and political themes of the play. Director John Russell Brown is shown working through some famous scenes...
The first of two programmes on King Lear supporting the A306 Shakespeare course. Considers how an actor can convey Lear’s madness and at the same time be aware of the ‘reason in madness’ so central to...
Continuing from KING LEAR: WORKSHOP 1, this programme looks in great detail at Act IV vi - the storm scene - and at Lear’s re-encounter with the blind Gloucester. Director John Russell-Brown and Julian...
The West Indian historian C L R James talks about King Lear and why Shakespeare, ‘the most political writer that Britain has ever seen in regard to the creative arts’, was ‘no racist’. He quotes...
Feature film. A version of Romeo and Juliet. Vaasu, a South Indian and Sapna, a North Indian, fall in love but are kept apart by the prejudices of caste and language which their families maintain.
Fiction film loosely based on contemporary accounts of a barnstorming theatrical troupe travelling through the north of England and the Scottish borders. at the end of the 19th century,They are seen...
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