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Joel Hurstfield, University College London, and A G R Smith, University of Glasgow, argue that this is an unusual play in tems of structure, motive and character. The speakers define its strangeness and...
W. Moelwyn Merchant, University of Exeter, and Brian Morris, St David’s University College Wales, discuss the play. The character and dramatic presentation of Shylock form part of a wider discussion of...
W. Moelwyn Merchant, University of Exeter, and Brian Morris, St David’s University College Wales, discuss the play. They argue that Richard’s character and actions test the Elizabethan notions of the...
Nigel Alexander, University of Nottingham, and Nicholas Brooke, University of East Anglia, discuss the complexities of what is often considered as a straightforward ‘romantic’ tragedy. This play...
The letter scene from Twelfth Night enacted by players from the Young Vic Company with a thirty second introduction by Ronald Howard. No cast details known.
The final scene from The Winter’s Tale enacted by players from the Young Vic Company with a thirty second introduction by Ronald Howard.
The tent scene from Julius Caesar enacted by players from the Young Vic Company with a thirty second introduction by Ronald Howard. No cast details known.
Scene from Macbeth enacted by players from the Young Vic Company with a thirty second introduction by Ronald Howard. No cast details known, and the scene unidentified.
The ‘play scene’ from A Midsummer Night’s Dream enacted by players from the Young Vic Company with a thirty second introduction by Ronald Howard. No cast details known.
The ‘handkerchief scene’ from Othello enacted by players from the Young Vic Company with a thirty second introduction by Ronald Howard. No cast details known.
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