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Matthew MacFedzean’s one-actor futuristic adaptation of Richard II drew immediate acclaim with its debut performance at the 2001 Summerworks Festival in Toronto. MacFedzean believes that Richard represents...
Entries are now open for the Learning on Screen awards 2016. Nominations will be announced February 2016. Benefits of Learning on Screen showcase your work gain recognition for your productions...
A multi-media performance with flutist/vocalist Ellen Waterman, The Contemporary Music Ensemble (CME) at the University of Guelph, and Video Artist Kenneth Doren who re-interpret existing adaptations of...
Video recording of the multimedia, one-act monologue by Maarten van Hinte that brackets OJ Simpson and Othello, Moor of Venice. The publicity material takes obvious points of comparison : "Just like OJ, he...
A response to Hamlet conceived and directed by performance artist Stuart Sherman. The experimental work is composed of flats on which Shakespeare’s ‘script’ is pasted, of Plexiglass cubes containing...
A videorecording of Robert Lepage’s one-man version of Hamlet. The play is performed with a computer-controlled multimedia machine made up of modular flats that can be either performed or projected upon.
A production, for Polish television, of 2007:Macbeth, Grzegorz Jarzyna’s multimedia, politically orientated version of Macbeth set against a background of terrorism. Cezary Losinski and Aleksandra...
Independent Eye’s production of The Tempest using five actors, 20 large puppets, masks, shadows, and video projection. Puppetry by director Conrad Bishop who also plays Prospero.
Video recording of Stefan Pucher’s production of The Merchant of Venice for the Schauspielhaus, Zurich with Robert Hunger-Bühler as Shylock.
A comic murder mystery conceived and staged by Forkbeard Fantasy to mark their 30th year in the theatre. Set in 1904 in the pioneering days of cinema, a group of fledgling movie makers, desperate to...
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