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Gina Marchetti, Aaron Han Joon Magnan-Park and Stacilee Ford, from the University of Hong Kong, explain the thinking behind their bold new MOOC, Hong Kong Cinema Through a Global Lens. Most MOOCs originate...
The British Universities Film & Video Council and the Rights Department of the Open University ceased acting as the Managing Agent and Advisory Service for Moving Pictures and Sound Online (MAAS...
To celebrate the publication of the 100th issue of Viewfinder, the BUFVC’s quarterly print publication, Olwen Terris, the BUFVC’s Information Officer, takes a look at the long history of the publication....
Is there still more to learn about Alfred J. Hitchcock, already the most written about filmmaker in the history of the medium? Professor Charles Barr offers a fresh perspective and details of his new...
Dr Melanie Bell-Williams provides an overview of a new research project on the history of women’s contribution to British film and television production. About the author: Dr Melanie Bell-Williams is...
JS: Aside from your established track record in television, you’d done a stint as Head of the BFI Production Board in the late 1970s. Was film always a personal passion? What were your reasons for...
In the wake of the interest around Film4 productions such as Richard Ayoade’s Submarine and Joe Cornish’s Attack the Block, a recent Guardian article by Jane Graham identifies what she sees as a...
Explore the history of women in British film and television production with our interactive timeline. [timeline_multiple title="ACT/T Timeline"] 1927 Cinematograph Films Act The Cinematograph Films Act...
This is an ‘interim report’ by Dr Sheldon Hall, Sheffield Hallam University, on his long-term project on the history of the showing of feature films on British television, covering virtually the entire...
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