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[caption id="attachment_324" align="alignleft" width="300" caption="David Hare in conversation. Image courtesy Museo Reina Sofia "][/caption] David Hare’s Page Eight, which premiered at the Edinburgh...
How embedded has the version of history as presented on television become in the public consciousness? Ann Gray and Erin Bell from the University of Lincoln ran a project that sought to answer that question...
The Artist's Cut On 12th October Northern Film & Media & Channel 4 previewed the first fruits of the Artist's Cut initiative (see Part 1 of this article) - two new shorts by contemporary visual...
In November 1982 I was working as Assistant TV Acquisitions Officer in the National Film Archive at the British Film Institute and freelancing for Time Out and a range of magazines and newspapers about...
With the recent unprecedented multi-platform release (5th July 2013) of Ben Wheatley’s A Field in England, which has been variously described as “a psychedelic Western” (Sound on Sight), “a...
Learning on Screen