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The BUFVC provides a vital service to its 258 members, as well as a number of public resources. The BUFVC connects teachers, learners and researchers with moving image and sound content and its staff deal...
Dr Lee Broughton is a Leverhulme Trust Early Career Fellow in the Centre for World Cinemas at the University of Leeds. His fellowship’s three-year research project, 'Interpreting Representations of...
The Artist's Cut On 12th October Northern Film & Media & Channel 4 previewed the first fruits of the Artist's Cut initiative (see Part 1 of this article) - two new shorts by contemporary visual...
The 1960s in Britain is remembered as a time of great change, not least at the cinema. But how did this all come about? Laura Mayne previews a new three-year AHRC project studying the phenomenon. ...
The Women’s Liberation Movement Oral History Project aims to provide a permanent archive on the pioneering work undertaken by feminists from the 1960s to the 1980s. Dr Margaretta Jolly, Reader in Cultural...
To celebrate the thirtieth anniversary of the launch of Channel 4, in November the University of Portsmouth held a two-day conference dedicated to the output of the UK’s fourth terrestrial TV channel. Dr...
Digital Disruption: Cinema Moves On-line Edited by Dina Iordanova and Stuart Cunningham (St Andrews Film Studies), 223 pages ISBN: 978-0956373090 (hardback), £35 ISBN: 978-0956373076 (paperback),...
British Horror Rises from the Tomb: In the UK there has been a major resurgence in the production of horror movies in the last few years. Jonathan Rigby, author English Gothic – Classic Horror Cinema...
The Screening Socialism project is the first comparative, transnational study of television cultures in socialist Eastern Europe. Dr Sabina Mihelj, Reader in Media and Cultural Analysis, Loughborough...
Branding and Sponsorship within Britain’s Premier Horror Festival A Guest Blog by Simon Hobbs, PhD Research Student at the University of Portsmouth This year’s Film4 FrightFest marked my first...
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