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The BUFVC occupies a unique and long-standing role in the innovative use of ICT in research related to moving image & sound, bridging academia, creative industries and technology. We work in...
In November 1982 I was working as Assistant TV Acquisitions Officer in the National Film Archive at the British Film Institute and freelancing for Time Out and a range of magazines and newspapers about...
The Women’s Liberation Movement Oral History Project aims to provide a permanent archive on the pioneering work undertaken by feminists from the 1960s to the 1980s. Dr Margaretta Jolly, Reader in Cultural...
First screened on British television in October 1973, the documentary series The World at War proved to be a milestone in the history of ITV. Professor James Chapman explores its roots and its critical...
In examining the contribution of Channel 4 (and, by extension, television as a whole) to British film culture, this project has a broad remit, which includes the institutional processes of film buying,...
A new digital resource from BUFVC examines the entire output of the global television news agency UPITN for one month. Linda Kaye, BUFVC Research Executive, explores the significance of the agency in our...
The Screening Socialism project is the first comparative, transnational study of television cultures in socialist Eastern Europe. Dr Sabina Mihelj, Reader in Media and Cultural Analysis, Loughborough...
Although the idea of film funding wasn't directly discussed in the Annan Report which led to the creation of Channel 4, it was a passion of the Channel’s first Chief Executive, Jeremy Isaacs. In Europe...
Explore the history of women in British film and television production with our interactive timeline. [timeline_multiple title="ACT/T Timeline"] 1927 Cinematograph Films Act The Cinematograph Films Act...
The BUFVC provides a vital service to its 258 members, as well as a number of public resources. The BUFVC connects teachers, learners and researchers with moving image and sound content and its staff deal...