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The British Board of Film Classification celebrates its centenary this year. But what can the organisation learn from the past, and how does history inform its current business and commitment to education...
Catherine Chambers, Senior Producer at The Open University explores why storytelling is the key to engaging learners with short form video in informal and formal learning. About the author: Senior Producer...
A new digital resource from BUFVC examines the entire output of the global television news agency UPITN for one month. Linda Kaye, BUFVC Research Executive, explores the significance of the agency in our...
Dr Melanie Bell-Williams provides an overview of a new research project on the history of women’s contribution to British film and television production. About the author: Dr Melanie Bell-Williams is...
Community Filmmaking and Cultural Diversity: Practice, Innovation and Policy. Sarita Malik, with Caroline Chapain and Roberta Comunian, discusses an AHRC funded project that has opened up a range of...
The Screening Socialism project is the first comparative, transnational study of television cultures in socialist Eastern Europe. Dr Sabina Mihelj, Reader in Media and Cultural Analysis, Loughborough...
Branding and Sponsorship within Britain’s Premier Horror Festival A Guest Blog by Simon Hobbs, PhD Research Student at the University of Portsmouth This year’s Film4 FrightFest marked my first...
Although the idea of film funding wasn't directly discussed in the Annan Report which led to the creation of Channel 4, it was a passion of the Channel’s first Chief Executive, Jeremy Isaacs. In Europe...
The BUFVC provides a vital service to its 258 members, as well as a number of public resources. The BUFVC connects teachers, learners and researchers with moving image and sound content and its staff deal...
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