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The Women’s Liberation Movement Oral History Project aims to provide a permanent archive on the pioneering work undertaken by feminists from the 1960s to the 1980s. Dr Margaretta Jolly, Reader in Cultural...
Why are stars often called ‘gods’ or ‘goddesses’? How was antiquity used to boost the image of the developing film industry and its stars? What does this historical association tell us about...
The British Board of Film Classification celebrates its centenary this year. But what can the organisation learn from the past, and how does history inform its current business and commitment to education...
Taryn Storey looks behind the scenes of a digital collaboration between the Royal Shakespeare Company (RSC) and Ravensbourne College. About the Author: Dr Taryn Storey was appointed Higher Education...
The Artist's Cut On 12th October Northern Film & Media & Channel 4 previewed the first fruits of the Artist's Cut initiative (see Part 1 of this article) - two new shorts by contemporary visual...
With the recent unprecedented multi-platform release (5th July 2013) of Ben Wheatley’s A Field in England, which has been variously described as “a psychedelic Western” (Sound on Sight), “a...
This is an ‘interim report’ by Dr Sheldon Hall, Sheffield Hallam University, on his long-term project on the history of the showing of feature films on British television, covering virtually the entire...
Women’s Film History Network-UK/Ireland is an emerging organization open to anyone committed to investigating women's film history from its early days to the recent past. About the author: Professor...
Learning on Screen