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The High Capacity Janet Network is supporting the use of UHD (Ultra High Definition) to enhance teaching, learning and research. Emma Smith, Video Projects Coordinator, Janet, conducts a grand tour. About...
Why are stars often called ‘gods’ or ‘goddesses’? How was antiquity used to boost the image of the developing film industry and its stars? What does this historical association tell us about...
Community Filmmaking and Cultural Diversity: Practice, Innovation and Policy. Sarita Malik, with Caroline Chapain and Roberta Comunian, discusses an AHRC funded project that has opened up a range of...
JS: Aside from your established track record in television, you’d done a stint as Head of the BFI Production Board in the late 1970s. Was film always a personal passion? What were your reasons for...
As Channel 4 draws the curtain on the eleven-year success of the Big Brother franchise, it continues to reap the rewards of being the producer of some of the most popular shows on television, including...
Explore the history of women in British film and television production with our interactive timeline. [timeline_multiple title="ACT/T Timeline"] 1927 Cinematograph Films Act The Cinematograph Films Act...
[caption id="attachment_324" align="alignleft" width="300" caption="David Hare in conversation. Image courtesy Museo Reina Sofia "][/caption] David Hare’s Page Eight, which premiered at the Edinburgh...
Film Review Programming on Channel 4 As a visual medium, television offers an ideal context for reviewing films. It allows the reviewer to successfully ‘quote’ content and carry out in-depth analysis...
This is an ‘interim report’ by Dr Sheldon Hall, Sheffield Hallam University, on his long-term project on the history of the showing of feature films on British television, covering virtually the entire...
Learning on Screen