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Made-for-television film. A giallo interpretation of Macbeth. The production was first staged at the Festival d’Automne at the Theatre de Paris in 1990.
Television documentary on the work of Kenneth Branagh’s Renaissance Theatre Company. Geraldine McEwan talks about the experience of directing As You Like It and the challenges it presents. There are...
Feature film comedy about a college professor (Webb) who is embarrassed when some silent swashbuckling films he made long ago bring him new prominence on television. He tries to stop the films being shown...
Sonnet 94 read in costume by Michael Bryant, followed by a discussion of the sonnet by John Mortimer. The sonnet is then performed again in light of the commentary.
Sonnet 66 read in costume by Michael Bryant, followed by a discussion of the sonnet by Arnold Wesker. The sonnet is then performed again in light of the commentary.
Sonnet 18 read in costume by Ben Kingsley, followed by a discussion of the sonnet by Professor Leslie Fiedler. The sonnet is then performed again in light of the commentary.
Sonnet 35 read in costume by Simon Callow, followed by a discussion of the sonnet by Gore Vidal. The sonnet is then performed again in light of the commentary.
Sonnet 128 read in costume by Roger Rees, followed by a discussion of the sonnet by D. M. Thomas. The sonnet is then performed again in light of the commentary.
Sonnet 53 read in costume by Simon Callow, followed by a discussion of the sonnet by Dr Nicholas Humphrey. The sonnet is then performed again in light of the commentary.
Sonnet 64 read in costume by Michael Bryant, followed by a discussion of the sonnet by Gore Vidal. The sonnet is then performed again in light of the commentary.
Learning on Screen