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Viewfinder speaks to actor, writer and director Barnaby Edwards about TextbookStuff.com, an audio company dedicated to bringing literature to life. Q. Barnaby, what exactly is TextbookStuff.com?...
Colour Films in Britain: The Negotiation of Innovation, 1900-55 By Sarah Street, with a Technical Appendix by Simon Brown (BFI/Palgrave Macmillan, 26 October 2012), 320 pages. ISBN: 978-1844573134...
In the wake of the interest around Film4 productions such as Richard Ayoade’s Submarine and Joe Cornish’s Attack the Block, a recent Guardian article by Jane Graham identifies what she sees as a...
The British Universities Film & Video Council is delighted to welcome the following individuals to judge the Learning on Screen Awards 2014: Chair: Ian Wall Ian Wall taught English & Media at...
Are these ‘glorious’ times for the British film industry? At a recent debate at Goldsmiths College on the 3rd of February 2011, four panellists lined up to discuss this motion. Producer Robert Jones...
In November 1982 I was working as Assistant TV Acquisitions Officer in the National Film Archive at the British Film Institute and freelancing for Time Out and a range of magazines and newspapers about...
Film Review Programming on Channel 4 As a visual medium, television offers an ideal context for reviewing films. It allows the reviewer to successfully ‘quote’ content and carry out in-depth analysis...
The British Film Institute continues its re-evaluation of the British documentary tradition with Visions of Change, an extensive collection of television films made during the 1950s and 1960s. Dr Ieuan...
The Adventure of the Real – Jean Rouch and the craft of Ethnographic Cinema, by Paul Henley (University of Chicago Press, 2010), 533 pages, ISBN: 978-0226327150 (paperback), £24; Kindle, price £19.38;...
The Artist's Cut On 12th October Northern Film & Media & Channel 4 previewed the first fruits of the Artist's Cut initiative (see Part 1 of this article) - two new shorts by contemporary visual...
Learning on Screen