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The 1960s in Britain is remembered as a time of great change, not least at the cinema. But how did this all come about? Laura Mayne previews a new three-year AHRC project studying the phenomenon. ...
Making your own films to a professional standard is getting quicker, easier and cheaper. Andrew Steele and Tom Fuller describe their experiences producing their series of short, sharp science videos....
The University of York has published a cross-disciplinary multimedia website detailing its staging of John Marston’s rarely-produced comedy The Dutch Courtesan. Michael Cordner looks at its realisation on...
Messages from Poland: Using, losing and resurrecting 'A Different World' In 1987 Channel 4 broadcast the nine-part documentary series, The Struggles for Poland. One of its parts, A Different World, is now...
Community Filmmaking and Cultural Diversity: Practice, Innovation and Policy. Sarita Malik, with Caroline Chapain and Roberta Comunian, discusses an AHRC funded project that has opened up a range of...
Branding and Sponsorship within Britain’s Premier Horror Festival A Guest Blog by Simon Hobbs, PhD Research Student at the University of Portsmouth This year’s Film4 FrightFest marked my first...
Michael Darlow is a television director, writer and producer, who has also worked in theatre and film. He writes about television, theatre and film and also about rare breed Soay sheep. We interviewed...
Women’s Film History Network-UK/Ireland is an emerging organization open to anyone committed to investigating women's film history from its early days to the recent past. About the author: Professor...
Learning on Screen