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Jean Painlevé (1902-1989) was one of the pioneers in the development of scientific cinema and was one of its great popularisers. Oliver Gaycken, Assistant Professor at University of Maryland looks at the...
José Arroyo, Principal Teaching Fellow In Film and Television Studies at the University of Warwick, underlines his experiences teaching at Cuba’s world-renowned Escuela Internacional de Cine y...
Dr Lee Campbell, University of Lincoln, explores the potential of mobile technology to produce an immersive and participatory cinema experience. About the Author: Dr Lee Campbell, Lecturer in Fine Art at...
Studying Experimental Film and Video William Fowler, Curator of Artists’ Moving Image for the BFI, looks at some of the wide variety of resources available to those studying the moving image work of...
Is there still more to learn about Alfred J. Hitchcock, already the most written about filmmaker in the history of the medium? Professor Charles Barr offers a fresh perspective and details of his new...
In examining the contribution of Channel 4 (and, by extension, television as a whole) to British film culture, this project has a broad remit, which includes the institutional processes of film buying,...
A new digital resource from the BUFVC brings together the first twenty years of the ground-breaking pre-broadcast information packages from Channel 4 online (http://bufvc.ac.uk/tvandradio/c4pp). Linda Kaye,...
With the recent unprecedented multi-platform release (5th July 2013) of Ben Wheatley’s A Field in England, which has been variously described as “a psychedelic Western” (Sound on Sight), “a...
Film Review Programming on Channel 4 As a visual medium, television offers an ideal context for reviewing films. It allows the reviewer to successfully ‘quote’ content and carry out in-depth analysis...
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