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Independent fiction short. "T’o have seen what I have seen, see what I see!" (Hamlet Act 3 Sc i). The painting of Ophelia by John Everett Millais, is used as a metaphor for Kashmir, a country caught...
Fiction film. Description in the Selig catalogue reads ‘Oh, how are the mighty fallen. Here is a great Shakespearean actor on his uppers, actually broke; but he retains his valet and the two of them see...
First part of a televised adapation of a play for children. Robert Atkins, who wrote the script for the play and also stars as Bottom, introduces and explains the play. Part 2 was was televised a week later,...
Radio broadcast of a scene from Act IV of the play which was originally written for the stage by British playwright and novelist Winifred Ashton, whose nom de plume was Clemence Dane (1888-1965). The plot...
Radio adaptation of the play which was originally written for the stage by British playwright Clemence Dane (1888-1965). The plot links Shakespeare and the ‘Dark Lady’ of the sonnets with the mysterious...
Second in a series of request radio plays, this half-hour mystery and suspense radio series was written by John Dickson Carr, and produced by Martyn C. Webster.
Eighth episode of a half-hour mystery and suspense radio series, written by John Dickson Carr, and produced by Val Gielgud and Martyn C. Webster.
Experimental short inspired by Macbeth’s soliloquy, Act II, sc. 1 "Is this a dagger which I see before me,/The handle toward my hand?"
Radio talk broadcast as a preface to a transmission of Dryden/Davenant’s adaptation of The Tempest revised for the musical stage by Thomas Shadwell (see separate entry). W. W. Robson, Fellow of Lincoln...
A dramatic reconstruction of a Shakespearean premiere of Twelfth Night, written for radio by J. C. Gosforth and based on the book by American scholar Leslie Hotson who introduces the programme in a recorded...
Learning on Screen