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The British Universities Film & Video Council is delighted to welcome the following individuals to judge the Learning on Screen Awards 2014: Chair: Ian Wall Ian Wall taught English & Media at...
What role does European film and television drama play in constructing our sense of European identity? The Mediating Cultural Encounters through European Screens (MeCETES) project seeks to find out, as...
Professor Michael Berkowitz looks at the hitsory behind Claude Lanzmann’s monumental 10-hour documentary 'Shoah' (1985) in the light of a new book dedicated to the film in the BFI Film Classics range:...
This is an ‘interim report’ by Dr Sheldon Hall, Sheffield Hallam University, on his long-term project on the history of the showing of feature films on British television, covering virtually the entire...
The Women’s Liberation Movement Oral History Project aims to provide a permanent archive on the pioneering work undertaken by feminists from the 1960s to the 1980s. Dr Margaretta Jolly, Reader in Cultural...
The High Capacity Janet Network is supporting the use of UHD (Ultra High Definition) to enhance teaching, learning and research. Emma Smith, Video Projects Coordinator, Janet, conducts a grand tour. About...
First screened on British television in October 1973, the documentary series The World at War proved to be a milestone in the history of ITV. Professor James Chapman explores its roots and its critical...
Branding and Sponsorship within Britain’s Premier Horror Festival A Guest Blog by Simon Hobbs, PhD Research Student at the University of Portsmouth This year’s Film4 FrightFest marked my first...
With the recent unprecedented multi-platform release (5th July 2013) of Ben Wheatley’s A Field in England, which has been variously described as “a psychedelic Western” (Sound on Sight), “a...
Explore the history of women in British film and television production with our interactive timeline. [timeline_multiple title="ACT/T Timeline"] 1927 Cinematograph Films Act The Cinematograph Films Act...
Learning on Screen