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With the British Library’s recently concluded audio project, the UK SoundMap, curation meets crowd-sourcing. Chris Clark, the project manager, discusses the challenges. About the Author: Chris Clark was...
Although the idea of film funding wasn't directly discussed in the Annan Report which led to the creation of Channel 4, it was a passion of the Channel’s first Chief Executive, Jeremy Isaacs. In Europe...
Branding and Sponsorship within Britain’s Premier Horror Festival A Guest Blog by Simon Hobbs, PhD Research Student at the University of Portsmouth This year’s Film4 FrightFest marked my first...
At the end of 2007 the National Video Archive of Performance recorded its 200th stage production. Jill Evans, their Video Archive Producer, provides an overview of their activities. About the Author: Jill...
Studying Experimental Film and Video William Fowler, Curator of Artists’ Moving Image for the BFI, looks at some of the wide variety of resources available to those studying the moving image work of...
What makes a film become a cult and what are the characteristics of the cult film fan? Paul Booth digs deep for some answers in the light of Justin Smith’s new book, Withnail and Us. About the author:...
We’re delighted to announce our full list of 41 nominations on International Women’s Day. Learning on Screen is proud to represent women working in educational film and media production, and this year we...
The aim of Backdoor Broadcasting is to aid the dissemination of new knowledge produced on audio by universities and learned societies. Dr René Wolf provides a profile of his company’s activities. About...
What role does European film and television drama play in constructing our sense of European identity? The Mediating Cultural Encounters through European Screens (MeCETES) project seeks to find out, as...
In October the latest batch of revisions to British Copyright law flowing from the Hargreaves review finally came into effect. Jason Miles-Campbell, formerly Jisc Legal Manager, looks ahead and asks,...