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In examining the contribution of Channel 4 (and, by extension, television as a whole) to British film culture, this project has a broad remit, which includes the institutional processes of film buying,...
Why are stars often called ‘gods’ or ‘goddesses’? How was antiquity used to boost the image of the developing film industry and its stars? What does this historical association tell us about...
Taryn Storey looks behind the scenes of a digital collaboration between the Royal Shakespeare Company (RSC) and Ravensbourne College. About the Author: Dr Taryn Storey was appointed Higher Education...
The Screening Socialism project is the first comparative, transnational study of television cultures in socialist Eastern Europe. Dr Sabina Mihelj, Reader in Media and Cultural Analysis, Loughborough...
This year will see a national celebration of the Bard’s work, as Hilary Bishop, Director of the RES Project for the BBC and Editor for BBC Archive Development explains. ‘Who will believe my verse in...
JS: Aside from your established track record in television, you’d done a stint as Head of the BFI Production Board in the late 1970s. Was film always a personal passion? What were your reasons for...
[caption id="attachment_435" align="alignleft" width="300" caption="Spirit of Marc Karlin Exhibition Flyer"][/caption] Last month (on the weekend of the 13th-15th April) I attended a fascinating conference...
Although the idea of film funding wasn't directly discussed in the Annan Report which led to the creation of Channel 4, it was a passion of the Channel’s first Chief Executive, Jeremy Isaacs. In Europe...
Michael Darlow is a television director, writer and producer, who has also worked in theatre and film. He writes about television, theatre and film and also about rare breed Soay sheep. We interviewed...