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The aim of Backdoor Broadcasting is to aid the dissemination of new knowledge produced on audio by universities and learned societies. Dr René Wolf provides a profile of his company’s activities. About...
Branding and Sponsorship within Britain’s Premier Horror Festival A Guest Blog by Simon Hobbs, PhD Research Student at the University of Portsmouth This year’s Film4 FrightFest marked my first...
What’s Good On TV?: Understanding Ethics Through Television by Jamie Carlin Watson and Robert Arp (Wiley-Blackwell, 2011). 320 pages. ISBN: 978-1405194754 (paperback), £19.99; ISBN: 978-1405194761...
NationalRural was established in 2004 as a Knowledge Exchange - a service provided by universities and colleges for rural businesses and organisations. The project was set up with funding from HEFCE as one...
Following on from Ieuan Franklin's excellent blog which discussed such mind-bendingly psychedelic Films on Four as Born of Fire (Jamil Dehlavi, 1987), Shadey (Phillip Saville, 1987) and Silent Scream (David...
Launched in March 2012, Chronicle: BBC Northern Ireland’s television news from the 60s and 70s is a new academic resource that brings together thousands of titles for the first time. Dr Martin Doherty,...
Dr Lee Campbell, University of Lincoln, explores the potential of mobile technology to produce an immersive and participatory cinema experience. About the Author: Dr Lee Campbell, Lecturer in Fine Art at...
With the recent unprecedented multi-platform release (5th July 2013) of Ben Wheatley’s A Field in England, which has been variously described as “a psychedelic Western” (Sound on Sight), “a...
This is an ‘interim report’ by Dr Sheldon Hall, Sheffield Hallam University, on his long-term project on the history of the showing of feature films on British television, covering virtually the entire...
Although the idea of film funding wasn't directly discussed in the Annan Report which led to the creation of Channel 4, it was a passion of the Channel’s first Chief Executive, Jeremy Isaacs. In Europe...