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Gina Marchetti, Aaron Han Joon Magnan-Park and Stacilee Ford, from the University of Hong Kong, explain the thinking behind their bold new MOOC, Hong Kong Cinema Through a Global Lens. Most MOOCs originate...
Take a look at the winners of the Learning on Screen awards 2015: Courseware and Curriculum In-house Production Award Life on Earth’s Cold Shoulder – Glacier ecosystems and climate change...
About the author: Anna Levick, Head of Media, New College, Pontefract, explains how the employment of Audio Visual technology to construct student essays and teacher feedback has helped them embrace a...
We spoke to Truro and Penwith College and the Manchester Film School about their different approaches to teaching filmmaking at FE level, and the success their methods are having. In recent years, some of...
Until the 1990s, the majority of British TV was shot on video in the studio, with film used only for exterior sequences. What impact did physical space have on both changing modes of production and...
A Licence to be Different: The Story of Channel 4 by Maggie Brown (BFI Publishing, October 2007), 368 pages, ISBN: 9781844572052 (paperback), £16.99; ISBN: 978-1844572045 (hardback), £50.00 Channel 4: The...
In the light of the acceptance by government of the recommendations made by the Hargreaves Review of Intellectual Property, what are the potential benefits to education? Emily Goodhand considers this in...
Innovation and Feature Films [caption id="attachment_813" align="alignright" width="300"] "Two Thieves" written and direct by Matt Stokes, produced by Ashley Horner (Third). Courtesy Ashley...
Frazer Ash, Digital Transfer Manager for Learning on Screen, reports on our off-air digitisation project and the valuable archive television content that will be made available in BoB. With over 1 million...
Both the Old and the New Testament continue to be a rich sources of inspiration for the cinema. Dr Miles Booy considers a new history of some of the progenitors of the genre. About the author: Dr Miles Booy...
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