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Anne Frank Unbound: Media, Imagination, Memory Edited by Barbara Kirshenblatt-Gimblett & Jeffrey Shandler (Indiana University Press, November 2012), 448 pages ISBN: 978-0253007391 (paperback),...
Studying Experimental Film and Video William Fowler, Curator of Artists’ Moving Image for the BFI, looks at some of the wide variety of resources available to those studying the moving image work of...
The Kinonedelja - Online Edition in the Austrian Film Museum brings together the earliest work of Russian film director and theoretician Dziga Vertov. We provide a guide to the Museum’s Vertov collection,...
At the end of 2007 the National Video Archive of Performance recorded its 200th stage production. Jill Evans, their Video Archive Producer, provides an overview of their activities. About the Author: Jill...
Professor Michael Berkowitz looks at the hitsory behind Claude Lanzmann’s monumental 10-hour documentary 'Shoah' (1985) in the light of a new book dedicated to the film in the BFI Film Classics range:...
This is a roundup of new print publications available from this December. For details on how to order these titles, please click on the book covers or the links to the respective publishers. ...
First screened on British television in October 1973, the documentary series The World at War proved to be a milestone in the history of ITV. Professor James Chapman explores its roots and its critical...
The High Capacity Janet Network is supporting the use of UHD (Ultra High Definition) to enhance teaching, learning and research. Emma Smith, Video Projects Coordinator, Janet, conducts a grand tour. About...
In examining the contribution of Channel 4 (and, by extension, television as a whole) to British film culture, this project has a broad remit, which includes the institutional processes of film buying,...
Although the idea of film funding wasn't directly discussed in the Annan Report which led to the creation of Channel 4, it was a passion of the Channel’s first Chief Executive, Jeremy Isaacs. In Europe...
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