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What role does European film and television drama play in constructing our sense of European identity? The Mediating Cultural Encounters through European Screens (MeCETES) project seeks to find out, as...
In March 2014 Channel 4 promised to let viewers share live the experience of being an astronaut on the International Space Station. Dr Michael Allen, Birkbeck, University of London, considers the perils and...
A new digital resource from the BUFVC brings together the first twenty years of the ground-breaking pre-broadcast information packages from Channel 4 online (http://bufvc.ac.uk/tvandradio/c4pp). Linda Kaye,...
To celebrate the thirtieth anniversary of the launch of Channel 4, in November the University of Portsmouth held a two-day conference dedicated to the output of the UK’s fourth terrestrial TV channel. Dr...
In the wake of the interest around Film4 productions such as Richard Ayoade’s Submarine and Joe Cornish’s Attack the Block, a recent Guardian article by Jane Graham identifies what she sees as a...
As part of the British Library’s commitment to delivering a multimedia research environment, they are exploring the potential of speech-to-text technologies for finding non-textual content. Luke...
With the recent unprecedented multi-platform release (5th July 2013) of Ben Wheatley’s A Field in England, which has been variously described as “a psychedelic Western” (Sound on Sight), “a...
Women’s Film History Network-UK/Ireland is an emerging organization open to anyone committed to investigating women's film history from its early days to the recent past. About the author: Professor...
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