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[caption id="attachment_365" align="alignleft" width="300" caption="Courtesy Sander Spolspoel under CC Licence."][/caption] Ahead of a visit to Pinewood Studios today, David Cameron has said that the film...
The 1960s in Britain is remembered as a time of great change, not least at the cinema. But how did this all come about? Laura Mayne previews a new three-year AHRC project studying the phenomenon. ...
The BUFVC Moving Image Gateway includes nearly 1,200 websites relating to video, multimedia and sound materials. These have been subdivided into over 40 subject areas. To suggest new entries or amendments,...
Viewfinder speaks to actor, writer and director Barnaby Edwards about TextbookStuff.com, an audio company dedicated to bringing literature to life. Q. Barnaby, what exactly is TextbookStuff.com?...
Colour Films in Britain: The Negotiation of Innovation, 1900-55 By Sarah Street, with a Technical Appendix by Simon Brown (BFI/Palgrave Macmillan, 26 October 2012), 320 pages. ISBN: 978-1844573134...
In the wake of the interest around Film4 productions such as Richard Ayoade’s Submarine and Joe Cornish’s Attack the Block, a recent Guardian article by Jane Graham identifies what she sees as a...
The British Universities Film & Video Council is delighted to welcome the following individuals to judge the Learning on Screen Awards 2014: Chair: Ian Wall Ian Wall taught English & Media at...
Are these ‘glorious’ times for the British film industry? At a recent debate at Goldsmiths College on the 3rd of February 2011, four panellists lined up to discuss this motion. Producer Robert Jones...
In November 1982 I was working as Assistant TV Acquisitions Officer in the National Film Archive at the British Film Institute and freelancing for Time Out and a range of magazines and newspapers about...
Film Review Programming on Channel 4 As a visual medium, television offers an ideal context for reviewing films. It allows the reviewer to successfully ‘quote’ content and carry out in-depth analysis...