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Hugh Robinson, Curriculum Quality Leader at Henley College Coventry, reflects on his experience of getting young students to engage critically with film history. Many years ago, I was a tyro lecturer in...
Festival du Film Britannique de Dinard, 6-10 October 2010 My first day at the 21st British film festival enabled me to catch a film part-funded by Film4 which won the special jury prize here two years...
Catherine Chambers, Senior Producer at The Open University explores why storytelling is the key to engaging learners with short form video in informal and formal learning. About the author: Senior Producer...
In November 1982 I was working as Assistant TV Acquisitions Officer in the National Film Archive at the British Film Institute and freelancing for Time Out and a range of magazines and newspapers about...
The Private Eye: Detectives in the Movies by Bran Nicol (Reaktion, 2013). 224 pages. ISBN: 978-1780231020 (paperback), £14.95 About the reviewer: Dr Catherine Haworth, Centre for the Study of Music, Gender...
Both the Old and the New Testament continue to be a rich sources of inspiration for the cinema. Dr Miles Booy considers a new history of some of the progenitors of the genre. About the author: Dr Miles Booy...
The BUFVC provides a vital service to its 258 members, as well as a number of public resources. The BUFVC connects teachers, learners and researchers with moving image and sound content and its staff deal...
With the recent unprecedented multi-platform release (5th July 2013) of Ben Wheatley’s A Field in England, which has been variously described as “a psychedelic Western” (Sound on Sight), “a...