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It is generally the case that television broadcasters do not have the means to station their own reporters and camera crews in all corners of the world. They have come to rely on television news agencies to...
On 22 February 2017, we held ‘Television Drama: Archives, Access and Research’ in collaboration with the BFI and Royal Holloway, University of London. The conference, held at the BFI Southbank, brought...
Dr Louise Gentle, Nottingham Trent University, examines James Hill’s classic Born Free and its enduring influence on the teaching of higher education wildlife conservation. About the Author: Dr Louise...
Undead Apocalypse: Vampires and Zombies in the 21st Century by Stacey Abbott,(Edinburgh University Press, 2016), 240 pages, ISBN: 978-0748694907 (hardback), £70. About the Reviewer: Dr Lorna Jowett...
From its inception in 1982 to its demise in 1998 (with the launch of the subscription service FilmFour, now Film4 on Freeview), Film on Four was the flagship broadcast strand for new feature films...
In November 1982 I was working as Assistant TV Acquisitions Officer in the National Film Archive at the British Film Institute and freelancing for Time Out and a range of magazines and newspapers about...
NOMINATIONS ANNOUNCED FOR 12TH ANNUAL LEARNING ON SCREEN AWARDS Celebrating film and media production in education #LoSAwards [caption id="attachment_29157" align="aligncenter" width="510"]...
Film Review Programming on Channel 4 As a visual medium, television offers an ideal context for reviewing films. It allows the reviewer to successfully ‘quote’ content and carry out in-depth analysis...
This is an ‘interim report’ by Dr Sheldon Hall, Sheffield Hallam University, on his long-term project on the history of the showing of feature films on British television, covering virtually the entire...
Learning on Screen