BUFVC Search
Current Search
Previous Searches
German rock opera by Dr. Rudolf Volz that transposes Shakespeare’s play to outer space - the gravedigger becomes a gian, rabbit-like creature - featuring 24 songs. The lyrics for the English version only...
Recording of a panel discussion in front of a live audience featuring Will Brooks (Artistic Producer of Shakespeare on the Saskatchewan space) with Peter Robinson, Gordon DesBrisay and Joanne Rochester from...
Prior to the 2004 season at Shakespeare’s Globe Theatre, ‘Star-Crossed Lovers’, Heather Neill talks to its artistic director, Mark Rylance. Rylance talks about young people who commit suicide and the...
A time-lapse film of the Royal Shakespeare Company setting up the auditorium for its 2011 Lincoln Center Festival residency at the Armory, Park Avenue, NYC. The auditorium, a replica of the Royal Shakespeare...
Actress Susannah Fielding talks to Heather Neill about her role as Hermia in Michael Grandage’s 2013 production of A Midsummer Night’s Dream at the Noel Coward Theatre in London’s West End.
Video podcast. A series of talks from an interdisciplinary event held by the St Edmund Hall Centre for the Creative Brain in Oxford on 26 November 2016. The speakers interpret the theme of ‘Shakespeare and...
Online audio recording of an interview with Clare Higgins. Higgins talks to Philip Fisher about her career as an actress and her part as Countess Roussillion in Marianne Elliott’s 2009 production of...
A discussion, recorded at the Arts Theatre, about single-sex casting in Shakespeare. Patrick Marmion hosts the discussion between David Benedict, Aleks Sierz and Carole Woddis. Recent productions by Ed Hall,...
Online audio recording of an interview with the artistic director of Shakepeare’s Globe Theatre, Dominic Dromgoole. Dromgoole talks to Heather Neill about the 2008 Shakespeare season at the Globe,...
Christopher Luscombe, director of the Shakespeare’s Globe Theatre 2008 production of The Merry Wives of Windsor, talks to Heather Neill about his conception of the play and its affinities with British...
Learning on Screen