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India produces more films per year than any other nation, yet only a smattering of these relate to Shakespeare. Dr Deana Rankin, Senior Lecturer at Royal Holloway, University of London, looks at recent...
What is the London Broadcasting Company / Independent Radio News [LBC/IRN] Project? The project is funded by the Joint Information Systems Committee [JISC] digitisation programme and managed by The Media...
Dr Melanie Bell, University of Leeds, provides an overview of a new Learning on Screen resource, which sheds light on the history of women’s contribution to British film and television production. About...
Michael Darlow is a television director, writer and producer, who has also worked in theatre and film. He writes about television, theatre and film and also about rare breed Soay sheep. We interviewed...
2013. GB. DVD / Blu-ray. Second Sight. 216 minutes (plus extras). Certificate 15. RRP £15.99 (DVD), £19.99 (Blu-ray). About the reviewer: Dr Miles Booy gained his doctorate in film studies from the...
In November 1982 I was working as Assistant TV Acquisitions Officer in the National Film Archive at the British Film Institute and freelancing for Time Out and a range of magazines and newspapers about...
A Licence to be Different: The Story of Channel 4 by Maggie Brown (BFI Publishing, October 2007), 368 pages, ISBN: 9781844572052 (paperback), £16.99; ISBN: 978-1844572045 (hardback), £50.00 Channel 4: The...
100 Science Fiction Films by Barry Keith Grant (Palgrave Macmillan / British Film Institute, 2013). 216 pages. ISBN 978-1844574575 (paperback). £16.99 About the reviewer: James Chapman is Professor of Film...
Although the idea of film funding wasn't directly discussed in the Annan Report which led to the creation of Channel 4, it was a passion of the Channel’s first Chief Executive, Jeremy Isaacs. In Europe...
Branding and Sponsorship within Britain’s Premier Horror Festival A Guest Blog by Simon Hobbs, PhD Research Student at the University of Portsmouth This year’s Film4 FrightFest marked my first...