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Why are stars often called ‘gods’ or ‘goddesses’? How was antiquity used to boost the image of the developing film industry and its stars? What does this historical association tell us about...
Catherine Chambers, Senior Producer at The Open University explores why storytelling is the key to engaging learners with short form video in informal and formal learning. About the author: Senior Producer...
A new digital resource from BUFVC examines the entire output of the global television news agency UPITN for one month. Linda Kaye, BUFVC Research Executive, explores the significance of the agency in our...
A new digital resource from the BUFVC brings together the first twenty years of the ground-breaking pre-broadcast information packages from Channel 4 online (http://bufvc.ac.uk/tvandradio/c4pp). Linda Kaye,...
NationalRural was established in 2004 as a Knowledge Exchange - a service provided by universities and colleges for rural businesses and organisations. The project was set up with funding from HEFCE as one...
The Artist's Cut On 12th October Northern Film & Media & Channel 4 previewed the first fruits of the Artist's Cut initiative (see Part 1 of this article) - two new shorts by contemporary visual...
In the wake of the interest around Film4 productions such as Richard Ayoade’s Submarine and Joe Cornish’s Attack the Block, a recent Guardian article by Jane Graham identifies what she sees as a...
With the recent unprecedented multi-platform release (5th July 2013) of Ben Wheatley’s A Field in England, which has been variously described as “a psychedelic Western” (Sound on Sight), “a...
Explore the history of women in British film and television production with our interactive timeline. [timeline_multiple title="ACT/T Timeline"] 1927 Cinematograph Films Act The Cinematograph Films Act...
Women’s Film History Network-UK/Ireland is an emerging organization open to anyone committed to investigating women's film history from its early days to the recent past. About the author: Professor...
Learning on Screen