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From its inception in 1982 to its demise in 1998 (with the launch of the subscription service FilmFour, now Film4 on Freeview), Film on Four was the flagship broadcast strand for new feature films...
James Hoyle from British Pathé introduces the iconic company’s exciting new on demand platform, catering for academics and students of the humanities. This year marks the exciting return of British...
The Radical Film Network: Sustaining Alternative Film Culture: Dr Steve Presence gives us an insight into the RFN's beginnings and upcoming projects and festivals. About the Author: Dr Steve Presence is...
What makes a film become a cult and what are the characteristics of the cult film fan? Paul Booth digs deep for some answers in the light of Justin Smith’s new book, Withnail and Us. About the author:...
Dr Alex Southern, University of Wales Trinity Saint David, reflects on a post-war government ‘experiment’ in visual education, and its relevance to today’s moving image media literacy agenda. About...
Until the 1990s, the majority of British TV was shot on video in the studio, with film used only for exterior sequences. What impact did physical space have on both changing modes of production and...
Gina Marchetti, Aaron Han Joon Magnan-Park and Stacilee Ford, from the University of Hong Kong, explain the thinking behind their bold new MOOC, Hong Kong Cinema Through a Global Lens. Most MOOCs originate...
IB Tauris, 2011. 328 pages. ISBN: 978-1848856073 (hardback), price: £45. ISBN: 978-1848856080 (paperback), price: £14.99. About the author: Dr Russ Hunter is a lecturer in Film and Television at...
How important are Intellectual Property rights in education and how relevant is the 1988 Copyright, Designs and Patents Act (CDPA) to staff and students in the UK? About the author: Jason Miles-Campbell is...
Dr Shane O’Sullivan, Kingston University, reports on a new pilot scheme allowing undergraduate film students to access footage from the BFI National Archive for use in their own documentaries. About the...