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Catherine Chambers, Senior Producer at The Open University explores why storytelling is the key to engaging learners with short form video in informal and formal learning. About the author: Senior Producer...
Screening European Heritage: History on Film, the Heritage Sector and Cultural Policy About the Authors: Dr Axel Bangert (University of Cambridge) has research interests in the fields of film and history,...
The Adventure of the Real – Jean Rouch and the craft of Ethnographic Cinema, by Paul Henley (University of Chicago Press, 2010), 533 pages, ISBN: 978-0226327150 (paperback), £24; Kindle, price £19.38;...
Studying Experimental Film and Video William Fowler, Curator of Artists’ Moving Image for the BFI, looks at some of the wide variety of resources available to those studying the moving image work of...
Branding and Sponsorship within Britain’s Premier Horror Festival A Guest Blog by Simon Hobbs, PhD Research Student at the University of Portsmouth This year’s Film4 FrightFest marked my first...
Professor Michael Berkowitz looks at the hitsory behind Claude Lanzmann’s monumental 10-hour documentary 'Shoah' (1985) in the light of a new book dedicated to the film in the BFI Film Classics range:...
The Artist's Cut On 12th October Northern Film & Media & Channel 4 previewed the first fruits of the Artist's Cut initiative (see Part 1 of this article) - two new shorts by contemporary visual...
Although the idea of film funding wasn't directly discussed in the Annan Report which led to the creation of Channel 4, it was a passion of the Channel’s first Chief Executive, Jeremy Isaacs. In Europe...
Women’s Film History Network-UK/Ireland is an emerging organization open to anyone committed to investigating women's film history from its early days to the recent past. About the author: Professor...
Learning on Screen