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Why are stars often called ‘gods’ or ‘goddesses’? How was antiquity used to boost the image of the developing film industry and its stars? What does this historical association tell us about...
A new digital resource from BUFVC examines the entire output of the global television news agency UPITN for one month. Linda Kaye, BUFVC Research Executive, explores the significance of the agency in our...
Community Filmmaking and Cultural Diversity: Practice, Innovation and Policy. Sarita Malik, with Caroline Chapain and Roberta Comunian, discusses an AHRC funded project that has opened up a range of...
As part of the British Library’s commitment to delivering a multimedia research environment, they are exploring the potential of speech-to-text technologies for finding non-textual content. Luke...
Although the idea of film funding wasn't directly discussed in the Annan Report which led to the creation of Channel 4, it was a passion of the Channel’s first Chief Executive, Jeremy Isaacs. In Europe...
This is an ‘interim report’ by Dr Sheldon Hall, Sheffield Hallam University, on his long-term project on the history of the showing of feature films on British television, covering virtually the entire...
Women’s Film History Network-UK/Ireland is an emerging organization open to anyone committed to investigating women's film history from its early days to the recent past. About the author: Professor...
The BUFVC provides a vital service to its 258 members, as well as a number of public resources. The BUFVC connects teachers, learners and researchers with moving image and sound content and its staff deal...
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