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Why are stars often called ‘gods’ or ‘goddesses’? How was antiquity used to boost the image of the developing film industry and its stars? What does this historical association tell us about...
The British Board of Film Classification celebrates its centenary this year. But what can the organisation learn from the past, and how does history inform its current business and commitment to education...
Here are some highlights from the Learning on Screen Awards 2018 on 26th April at the BFI Southbank Special Jury Award POTTY THE PLANT Middlesex University Director: Aeddan Sussex Producer: Taliah...
Women’s Film History Network-UK/Ireland is an emerging organization open to anyone committed to investigating women's film history from its early days to the recent past. About the author: Professor...
Community Filmmaking and Cultural Diversity: Practice, Innovation and Policy. Sarita Malik, with Caroline Chapain and Roberta Comunian, discusses an AHRC funded project that has opened up a range of...
Turning scientists into journalists: It’s a dirty job but someone has to do it and Nicholas Russell outlines the aims and objectives of the Science Communication Group at Imperial College. About the...
To celebrate the thirtieth anniversary of the launch of Channel 4, in November the University of Portsmouth held a two-day conference dedicated to the output of the UK’s fourth terrestrial TV channel. Dr...
FutureLearn, wholly owned by The Open University, is the first UK-led provider of massive open online courses (MOOCs). We speak to Simon Nelson, its CEO. Question: How did you get involved in MOOCs?...
JS: Aside from your established track record in television, you’d done a stint as Head of the BFI Production Board in the late 1970s. Was film always a personal passion? What were your reasons for...
A new resource aims to encourage and build an understanding and appreciation of moving images, in all forms, for those in full-time education. Its co-founder, Ian Wall, fills in the blanks. Putting film...
Learning on Screen