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Medium:-- All media types -- Audio Film Multimedia Radio Television Video
Play:-- All plays -- All’s Well That Ends Well Antony and Cleopatra As You Like It Comedy of Errors, The Coriolanus Cymbeline Hamlet Henry IV Part 1 Henry IV Part 2 Henry V Henry VI part 1 Henry VI part 2 Henry VI part 3 Henry VIII Julius Caesar King John King Lear Love’s Labour’s Lost Macbeth Measure for Measure Merchant of Venice, The Merry Wives of Windsor, The Midsummer Night’s Dream, A Much Ado About Nothing Othello Pericles, Prince of Tyre Richard II Richard III Romeo and Juliet Taming of the Shrew, The Tempest, The Timon of Athens Titus Andronicus Troilus and Cressida Twelfth Night Two Gentlemen of Verona, The Two Noble Kinsmen, The Winter’s Tale, The
A performance recorded at the Stratford Shakespeare Festival, Ontario, Canada in 1983. Directed for stage by John Hirsch and for CBC by Herb Roland.
A discussion about good and evil in Othello, recorded during a second-year A-level English literature class at Queen Mary’s College, Basingstoke.
Sonnet 87 read in costume by John Hurt, followed by a discussion of the Sonnet by Dr Nicholas Humphrey. Dr Humphries argues that although the sonnet looks a love poem, it more accurately describes the deep...
Continues the theme of the first ‘Hamlet’ workshop by further examining the relationship between the soliloquies and the dynamic political moments of the play. Director John Russell Brown works on Act II...
The personal father-son relationship between Prince Hal and Henry is examined to see how it illuminates the larger historical issues of the play. Prince Hal is played by Michael Thomas and Henry by Peter...
Sonnet 127 read in costume by Ben Kingsley, followed by a discussion of the sonnet by Dr A L Rowse who expounds his theory about the identity of the Dark Lady. The sonnet is then performed again in light of...
A personal view of the play presented by Emma Tennant. The series aims to develop a greater understanding and appreciation of the plays by placing them in their social and historical context and by stressing...
Looking at the character of Isabella, and focusing on Act II Scene 2, the workshop attempts to show how Isabella is a far more passionate and complex character than the cold and puritanical woman who is...
Continues the examination of Isabella’s character, looking at Act III, Scene i in which she visits her brother Claudio in jail in order to tell him that he must die. Director John Russell-Brown works...
Feature film. A Japanese version of King Lear, directed by Akira Kurosawa, transposed to 16th-century feudal Japan. An old man, now a warlord, cedes his kingdom to his eldest son and starts a power struggle...
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