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Theatre designer Sally Jacobs talks to Christie Carson. Jacobs reflects on working with Peter Brook on A Midsummer Night’s Dream and the impact of the ‘white box’, and with John Barton on a production...
Christie Carson interviews theatre designer Jenny Tiramani. Tirimani speaks of the influence of seeing local amateur productions as a child. She talks of her working with Ultz, John McGrath and Mark Rylance...
Theatre designer Shelagh Keegan talks to Christie Carson. Keegan talks about her approach to design (starting with copious notes from the text), her work with David Thacker, the collaborative process,...
Christie Carson interviews Chris Dyer about stage design. Dyer is Associate Artist of the Royal Shakespeare Company, Senior Lecturer in Design for Performance at Central Saint Martins College of Art and...
Audio lecture given by Michael Lupu, senior dramaturg for the Guthrie Theatre at the Directing Shakespeare Symposium. Lupu talks about audience expectations in the Elizabethan period, the history of...
Two programmes relating to the Open University course AA306: Shakespeare: Text and Performance. 1) Designing Rome and Egypt: examines the contribution of sets and costumes to an interpretation of a play....
Explores the way meanings are created in theatre and recorded performance through performers, directors, space, audience, design, cultural background, types of performance and techniques of recording and...
Three programmes relating to course AA306: Band 1) Shakespeare on Screen: Macbeth: includes an interview with Roman Polanski about his film production of Macbeth and excerpts from a performance of the play...
Three-part educational series which shows the backstage and onstage production of the 1999 Stratford (Ontario) Shakespeare Festival’s A Midsummer Night’s Dream directed by Richard Monette. The first...
Audio lecture. Stage designer Ming Cho Lee speaks to young directors and choreographers at SDCF’s annual Symposium. The focus of the discussion is working with Shakespeare. Ming evaluates and describes his...
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