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A week of programmes celebrating the theatre’s contribution to cultural life. Continuing from SEE A SHOW, Frances Barber and Clive Owen perform an extract from Macbeth.
A puppet William Shakespeare, made using three-dimensional model animation techniques, performs his complete works before a sceptical Peter Hall figure. Without dialogue. Notable for the detailed perception...
Sonnet 127 read in costume by Ben Kingsley, followed by a discussion of the sonnet by Dr A L Rowse who expounds his theory about the identity of the Dark Lady. The sonnet is then performed again in light of...
Sonnet 144 read in costume by John Hurt, followed by a discussion of the sonnet by Professor Leslie Fiedler who sees the poem as the key to understanding the whole cycle. The sonnet is then performed again...
Sonnet 128 read in costume by Roger Rees, followed by a discussion of the sonnet by D. M. Thomas. The sonnet is then performed again in light of the commentary.
Sonnet 25 read in costume by Ben Kingsley, followed by a discussion of the sonnet by Dr A L Rowse. The sonnet is then performed again in light of the commentary.
Sonnet 8 read in costume by Jane Lapotaire, followed by a discussion of the sonnet by Martin Best. The sonnet is performed again in light of the commentary.
Sonnet 35 read in costume by Simon Callow, followed by a discussion of the sonnet by Gore Vidal. The sonnet is then performed again in light of the commentary.
Sonnet 107 read in costume by Claire Bloom, followed by a discussion of the sonnet by Sir Roy Strong. The sonnet is then performed again in light of the commentary.
Sonnet 18 read in costume by Ben Kingsley, followed by a discussion of the sonnet by Professor Leslie Fiedler. The sonnet is then performed again in light of the commentary.
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