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Lecture 12 in the Approaching Shakespeare series asks how seriously we can take the farcical exploits of Comedy of Errors, drawing out the play’s serious concerns with identity and selfhood.
Pericles has been on the margins of the Shakespearean canon: this fourteenth lecture in the Approaching Shakespeare series shows some of its self-conscious artistry and contemporary popularity.
At the heart of King John is the death of his rival Arthur: this fifteenth lecture in the Approaching Shakespeare series looks at the ways history and legitimacy are complicated in this plotline.
Showing how generations of critics - and Shakespeare himself - have rewritten the ending of King Lear, this sixteenth Approaching Shakespeare lecture engages with the question of tragedy and why it gives...
Asking ‘what happens in As You Like It’, this lecture considers the play’s dramatic structure and its ambiguous use of pastoral, drawing on performance history, genre theory, and eco-critical approaches.
The fact that father and son share the same name in Hamlet is used to investigate the play’s nostalgia, drawing on biographical criticism and the religious and political history of early modern England.
This lecture on A Midsummer Night’s Dream uses modern and early modern understandings of dreams to uncover a play less concerned with marriage and more with sexual desire.
Emma Smith uses evidence of early reception and from more recent productions to discuss the question of whether Katherine is tamed at the end of the play.
This lecture on The Merchant of Venice discusses the ways the play’s personal relationships are shaped by models of financial transaction, using the casket scenes as a central example.
A detailed examination of the nature of this Shakespearean tragedy given its rare feature of having two central characters.
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