British Universities Film & Video Council

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  1. King Henry VI (1947 Radio)

    Series
    Shakespeare’s Historical Plays
    Producer
    Felix Felton

    Radio adaptation by M. R. Ridley which condenses the three Henry VI plays into one. The production was broadcast on the Third Programme as part of a sequence of Shakespeare’s histories. With John Byron as...

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  2. Voice That Thrilled the World, The (1943 Film)

    Director
    Jean Negulesco

    Documentary short. A history of sound films focusing on Warner Brothers productions, including John Barrymore delivering a speech as Richard, Duke of Gloucester. Credited as being from Richard III but...

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  3. King Henry VI (1936 Radio)

    Series
    Radio Guild

    The play adapted by Vernon Radcliffe. Hosted and narrated by Clayton Hamilton.

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  4. Show of Shows (1929 Film)

    Director
    John Adolfi

    A ten-minute sequence in one of Hollywood’s first talking pictures shows John Barrymore reciting Gloucester’s soliloquy from Henry VI. Part 3. Probably the first Shakespeare scene in a talking picture.

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  5. Henry VI (1925 Radio)

    Series
    Shakespeare’s Monarchs

    Sixth in a twelve-part series of schools talks by J. C. Stobart and R. E. Jeffrey about the portrayal of kings in Shakespeare’s plays.

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  6. Shakespeare Night III: ‘Henry VI, Part I, II, And III’ (1923 Radio)

    aka: 'Shakespeare’ Evening

    Series
    Shakespeare Night

    Third in a series of ‘literary nights’ showcasing Shakespeare’s plays on radio. The programme is conducted with critical commentary by Professor Cyril Brett. Performances are by members of the Station...

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  7. Warwick Pageant (1906 Film)

    A record of the Warwick Pageant held in the grounds of Warwick Castle 2-9 July 1906 and showing incidents in Warwick’s history from AD40-1572. Includes scenes from a performance of Christopher Marlowe’s...

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  8. Phoenix and the Turtle, The (Television)

    Series
    Sense of Poetry, The

    Eight-part television series, the aim of which was to explore ‘how far television can be used to allow the poem itself to work undisturbedly on the reader-listener’. Professor I.A Richards discusses The...

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